The second state of the plate, as I have noted in previous posts is very similar to the first state in the sense that all of the finer details of the design are still visible. However, it is in this state that we first start to see the beginnings of plate wear. So the very beginning of merging of the hair lines at the top of the head and at the back of the head, as well as some overall loss of sharpness.
In terms of cancellations, because of the period and the scarcity of late usages on these, nearly all of the cancellations should either be barred oval cancellations from Lagos or Ibadan, and 21 mm Lagos CDS cancels. There should not really be very many of the wider 24 mm Lagos CDS cancellations at all. Most stamps that appear to be from the first state dated 1902 or later are generally from plate 2. However, where I come across a stamp that shows some plate wear and canceled late like this, there is at least a possibility that it is a late usage from the second state of the plate.
I did not find any constant plate varieties or flaws on any of the stamps that I have from this group of printings. Now the remainder of this post will look at the stamps identified from this group of printings in detail.
Group 2: Printings 20-33 From the First State of the Plate - April 1890 to January 1894
On this printing the head plate and duty plate colours are also identical. The shade is an even paler version of Gibbons's grey green. So I would call this the very pale grey green. I have only the above 2 used examples, which appear to be foreign usages, as they appear to be "701" barred numeral cancellations. This cancellation was not used in Lagos during this time. It is likely that this is a Great Britain cancellation that was applied when the letter, to which these stamps were affixed, reached England.
Twenty Second Printing
The head plate and duty plate colour of this printing are both closest to Gibbons's dull blue green, but a little paler and duller. It is nowhere deep enough to be a shade of the grey green. I have the three mint examples shown above, two of which have no gum, and may be from one of the printings that was immersed in seawater during the trip to Lagos, in 1892.
Twenty Fourth Printing
The head and duty plate colours of this printing, once again, are identical, and are closest to Gibbons' deep green shade. I have two unused examples without gum, and two used examples, which are cancelled with what appear to be strikes of the 9-bar oval obliterator of Lagos. Again, these mint stamps without gum may be from one of the waterlogged shipments that was received by the colony in 1892.
Twenty Fifth Printing
On this printing, the head and duty plate colour are both the same, and are both closest to Gibbons's deep dull green shade. I have no used examples of this printing, but just the mint stamps shown above. The stamp on the left has full gum, and the stamp on the right has no gum.
Twenty Sixth Printing
The head plate and duty plate colour are both identical in this printing also. The colour is similar to the deep dull green, but here there is a milky, bluish undertone to the colour, that prevents it from being a good match to the deep dull green. It is greener though than Gibbons's dull blue green. So I would call this the deep dull bluish green, which denotes a deep dull green that contains a very small amount of blue. I have two mint examples, with full gum, as shown above.
Twenty Seventh Printing
This is the first printing in this group of printings to have a different head plate and duty plate colour. The head plate is closest to Gibbons's deep dull green, while the duty plate colour is a slightly paler version of this colour.
I have a single mint example as shown above, and two used examples. Both used stamps appear to have been cancelled with strikes of the 9-bar Lagos oval obliterators.
Twenty Eighth Printing
This is the second printing in this group of printings to have a completely different colour for the head plate, and the duty plate. The first printing to have different colours was the 27th printing, but there it was a case of two different intensities of the same colour. Here, the colours are completely different. The head plate is closest in shade to Gibbons' dull blue green, but this colour is slightly brighter, and contains more green than the dull blue green does. The duty plate colour is closest to Gibbons's bottle green.
I have the two mint examples shown above, and no used examples.
The colours of this printing are almost the same as the last, except that the head plate colour is much closer to the Gibbons's dull blue green. This colour is both lighter and brighter than the Gibbons's dull blue green, but it is very close, containing the right balance of blue and green. The duty plate colour is bottle green, as it was for the last printing.
Thirty First Printing
Thirty Second Printing
The head and duty plate colour of this printing is is very similar to the last in that it is closest to Gibbons'd dull blue green. Only here, the colour is just a touch brighter than the colour on the 31st printing.
I have only one mint example and three used examples. One of these appears to be cancelled with a 8-bar Lagos oval obliterator, while the other two are cancelled with 21 mm Lagos CDS cancellations, dated January 8, 1894 and March 3, 1894. The March 3 cancel shows the 3 mm spacing between "W" and "Africa", while the January 8 cancel shows the 4 mm spacing.
Thirty Third Printing
The head plate and duty plate colour of this printing is an almost perfect cross between Gibbons' deep dull green, and the dull blue green. It is not quite green enough to be the deep dull green, but it is too green to be the dull blue green. So I believe that it is a mix of the two colours.
I have three mint examples of this printing, as shown above, and seven used examples, as shown below:
So this concludes my discussion of these 14 printings. Next week, I will look at the same group of printings for the 1d carmine, of which there should also have been 14 printings, as well.